10 1⁄2 x 14 inchesĬourtesy of K8 Hardy Studio. The sheer scope of works included in The Rose acknowledges a wide range of practices and affiliations, unsettling coherence by drawing attention to acts of assemblage. ![]() In Curator Justine Kurland’s words, the exhibition “proposes a circular genealogy of collage.”Ī seasoned photographer who took up collage during the pandemic, Kurland developed The Rose in close partnership with Lumber Room Director Libby Werbel and Founder Sarah Miller Meigs, bringing together a range of collage-based works from the 1960s through the present. Each artwork finds some organic association with the notion of The Rose, while also forging portals of meaning that intersect with and diverge from one another. ![]() The collage-centered exhibition ascends from the ground floor entryway, spirals up a stairwell into the main gallery space and fills a series of central walls that echo the folds of petals. The Rose, an exhibition of the work of forty-four artists at the Lumber Room, uses its namesake as a referent across tesselating artworks. Installation view, 2023. Courtesy of the lumber room.
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